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Beatletoons: Just when you thought you've seen it all...
Beatletoons - going down memory lane
Beatletoons

The Best book ever! Aaron's the man!
Best Aaron Book You Will Ever Read
This book ROCKS.......

Life & Times of Dysfunctional Rock n Roll GodsAs they continue to expand the parameters of their chosen genre, the book is an enlightening text that unravels the complications of five gifted musicians, the addition of the first diva in Rock n Roll, and how all ahve evolved into the 21st century. Kudos and plaudits to Jeff for avoiding the tedious, useles rhetoric of most parables of those most emulated and admired as the youth of America in the sixties and seventies and his uncanny knack in showing that even our selected Gods of choice are not as atypical as we might like to invision.
As they live and breath, we also do the same and the demise of one is as pain staking and demoralizing as any death within our own family sturcture.
The affinity to counter culture and those who helped construct it, the music that lealed a generation and the survivors of the day are all the culmination of one of the great books of the genre in the last twenty years......as the syntax of the day would imply..."This book rocks"...
Not For Fans OnlyMany band biographies are merely chronologically arranged trivia books, with an appeal that ultimately does not extend far outside of a circle of hardcore fans. Tamarkin's extraordinarily well-researched book rises above this by painting a richly textured picture of the culture that Airplane (and its various offshoots) sprang from and contributed to.
Tamarkin also succeeds in bringing strong insights into the music with his critical assessments. Here, even the most casual reader can glean why the author would try to iron out such a sprawling, Wagnerian epic... The people who made such music MUST have a fascinating story to tell. They do, and Tamarkin conveys it brilliantly -- setting the bar a little bit higher for music journalism in the process.
Jefferson Airplane Biography Takes Off!It runs to over 400 pages, including 16 pages of black and white photographs, some of which have not been published before. It has a foreword by Jan Wenner and an introduction by Paul Kantner. Tamarkin then proceeds, over the course of thirty five chapters, to tell the tale of the turbulent flight of the mighty airmachine - essentially from its inception in1965 until the Airplane re-union of 1989. In order to do this, he has interviewed most all of the (surviving) key participants in the turbulent tale - not only all the band members from the various incarnations of JA (and HT/JS) but many of the managers, producers, back-room staff and friends of the bands as well - and some of these he's interviewed more than once. (In fact, excerpts from some of the early interviews did appear in Relix magazine a few years ago.) He's taken all that information, some of it conflicting - as people's recollections and opinions inevitably differ - and has tried to make sense of it, forging it into a readable narrative of shape and substance.
But after all the hard work on Tamarkin's part and the eager awaiting on ours, what you want to know is: is it a good book (in terms of style, content, veracity and explication)?
The short answer is yes - at least on three and a half out of four counts; (I personally would have liked to read way much more analysis and interpretation - "the why of making music," as Kantner terms it in his introduction).
What Tamarkin has produced is in fact a very good book. It's a highly readable account of the life and times of the band. The story is built up chronologically by introducing the key players one at a time, in each case supplying enough background to explain how they got to the point where they founded/joined Jefferson Airplane and in some cases how they came to exit it as well. For anyone previously unfamiliar with the detailed history of JA's inception and early days, this will make fascinating reading. Coverage of the remaining five years of Jefferson Airplane gets a slightly less comprehensive treatment and the life and times of Hot Tuna, Jefferson Starship (then SVT, Vital Parts and so on) even less so - though Tamarkin obviously does hit the key events and seismic shifts in some detail.
What they did and what happened to them is entertainingly and faithfully narrated (the Matthew Katz legacy, the sexual pairings, the drug busts, the troubled relationship with RCA, the changes in personnel, the escalating craziness, the gradual emergence of Hot Tuna, Grace's alcohol intake, Marty's uncomfortable role in Jefferson Starship, the collapse of JS to Starship et cetera) and this is tied to the cultural and political events of the years as well (the rise of Hippie, the death of Hippie, assassinations, anti-war activities, the increasing polarisation of American society through the sixties, the long shadow of Republicanism, MTV and the rise of the global media jukebox). On the level of what happened it works well and there are many instances where Tamarkin is very insightful in relating external developments to what what was going down within Jefferson Airplane. He also provides many interesting details along the way: I did not know that Balin's submitted artwork for 'Surrealistic Pillow' was blue, not pink; that "Fat Angel" was inspired by Mama Cass Elliot; that Jorma was strung out on heroin during the Airplane reunion; who the inspiration was for Paul's song "Revolutionary Upstairs Maid." This is fascinating stuff. It also has a lot of very funny stories - Hot Tuna's Jamaican escapade and Reality D. Blipcrotch's vision for the 'One' album to name but two which actually had me laughing out loud. Naturally, there's also a wealth of great quotes; and generally these have been blocked out from the text for emphasis.
Of course, much of what is written will not be new to hardcore Airplane fans and obsessives; nonetheless it is very valuable to have the whole story laid out end-to-end like this and to read verbatim Paul's or Marty's or Jorma's or whoever's comment on a certain event or individual. I enjoyed it and I'm sure that for anyone less steeped in knowledge of Jefferson Airplane /Hot Tuna/ Starship, 'Got A Revolution' will be compulsive and enlightening reading.
Tamarkin rounds the whole saga out with a 'where are they now' section which is quite fascinating as it brings us up to date with what happened to over forty of the key and minor characters subsequent to 1989 (for the core crew) or whatever point they ceased to be directly involved in the flow. He then provides some useful reference sections at the end: a bibliography, a discography and a list of online sources/resources and an index.
Everyone who loves the music of JA will want to read it and will come away with a better understanding of how it all happened. So thank you, Jeff Tamarkin, for your devotion to your subject, for your love of Jefferson Airplane and for your perseverance in bringing this book to life. For too long there has existed a hole on the musical bookshelf between The Jam and Elton John - this book handsomely fills that gap. I'm off to read it for a second time.
I'll write a fuller review in the Airplane/Starship fanzine Holding Together.


The BEST KISS book EVER, PERIOD!For the gentlemen that felt the book lacked info or was factually incorrect, please do a little research. The Australian/Police issue has been well documented in newspaper reports and even TV reports which are widely available among real KISS fans. As for the photo quality. If you look carefully, many of the photos are not there for quality but for the simple fact that they are RARE photos. Some good examples are Ace on the platform in 1977 and Gene in his RARE Dynasty costume. These are photos that prove or disprove KISS myths that have festered over the years. They also relate to a specific account or detail contained within the associated chapter. Any real KISS fan would realize that.
If you are happy with incomplete and revisionist KISSTORY, then settle for the official publications and tell all rags that have been published in the recent past. If you want THE book on THE band, then pick this up. I promise you a better KISS book will not be found. Kudos to the authors!
Amazing....
The Ultimate KISS BookThis book is by far the best book yet about KISS. The amount of work and research put into this book is just mindblowing. They manage to track down and have stats on nearly every single KISS live show ever performed.
If you're a fan and have never read a book about the band, start here. If you've ever considered getting a book about the band, this is the only book you'll ever need.


comprehensive; a must-have for any Dylan fanatic
Universal AppealInterestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.
As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.
A must HavePlus, this book is put together in a really nice way. Not only does it have all the lyrics, but it has lyrics to songs that maybe the diehard fan has heard on bootleg or live or on albums like biograph. It takes these gems and tells you which recording session they were a part of, which is really nice to know.


The actual best book on the best band in the world right now
Oasis Forever
A great biography of a great band

Bring out your artistic nature on nature.
The Art of Painting Animals on Rocks
The BEST step-to-step guide on making wonderful rock petsThis book has instructions on what kinds of rocks are good to use and bad, examples of rocks the author (Lin Wellford) has painted, step-by-step clear instructions on how to paint Ladybugs, Snakes, Turtles, Rabbits, Calico Kittens, Grey Pursians, Yellow-striped Tabby cats, Raccoons, Foxes, Owls, and examples of how to do mother and baby(s) pairs, double animals, and even examples and tips on how to paint other animals! Also, in the back, there are instructions on how to sell your rock art!


The truth about BeatlesongsLight is thrown on the old chestnuts; Penny Lane, Strawberry Fields, Helter Skelter, Lucy etc. Charles Manson's ravings are included. Boy, he could see apocalypse on a blank page.
The book mirrors the way the guys honed their songwriting skills and matured from the lightweight fun of the early songs into depth and genuine insight from Rubber Soul on.
In conclusion, Mr Taylor has joined the pantheon of great Beatles chroniclers, Hunter Davies, Philip Norman and Ian MacDonald and produced an utterly glorious 'let me take you back...'
Without a Doubt My Favorite Beatles Book!!...
Money CAN buy you this fantastic book!The story behind 'A Day In the Life' is riveting and is partly based on a personal tragedy for Paul.
Find out what John's inspiration was for 'Tomorrow Never Knows.' Does Dr. Robert really exist? 'She's Leaving Home' is based on a true story Paul had read about in a newspaper. Which was the first Beatles song not to be about love? Learn how much of an influence Dr. Timothy O'Leary was. Who's Ocean Child ('Julia')? Maharishi Mahesh Yogi is behind a few songs, but not always the way you might think! A song based on a conversation with Peter Fonda? You bet! What's the story of the sitar in 'Norwegian Wood,' and just who is the mysterious woman in whose bathtub John slept? I could go on and on!
The text is very well researched, and includes quotes from people who were involved with the Beatles.
The photos are excellent and add to the realness of the songs. See Eleanor Rigby's gravestone, Matt Busby (from 'Dig It')and the man who 'blew his mind out in a car.'
AHDW is thorough, accurate and FUN to read. If I could, I'd give it 10 stars!


Tina is a Rock and Roll Buddhist GoddessI've since re-read this book a few times, as well as other books that are related to the Buddhism she mentions in the text. At first, it was hard for me to believe someone like Tina could also be a Buddhist, but now that I've read more about it I completely understand.
I'm so glad Tina mentioned in the interview about Daisaku Ikeda, the leader of Soka Gakkai and a prolific Buddhist author as well. I also found a wonderful book about this Buddhism at Amazon which I highly recommend - it's called "The Buddha in Daily Life" by Richard Causton.
Tina is the greatest! A true rock and roll Buddhist Goddess! Nam-myoho-renge-kyo, Nam-myoho-renge-kyo, Nam-myoho-renge-kyo...
Tina is a Rock and Roll Buddhist Goddess!I've since read and re-read this book a few times, as well as other books that are related to the Buddhism she practices. At first, it was hard for me to believe someone like Tina could also be a Buddhist, but now that I've read more about it I completely understand.
I'm so glad Tina mentioned Soka Gakkai and Daisaku Ikeda in the interview, because she didn't directly discuss them in this book. I also found the BEST book about Tina's Buddhism at Amazon.co.uk, which I highly recommend - it's called "The Buddha in Daily Life" by Richard Causton.
Tina is the greatest! A true rock and roll Buddhist Goddess! Nam-myoho-renge-kyo...
"I, Tina" a delightful, inspirational story

Take It Like A Man Is A Fascinating Read!
Brilliant!! Everyone should read this book...
Fame....it's a real drag!...
With the recent re-release of Yellow Submarine, Beatle fans around the world are suddenly rediscovering this gem of a weekly cartoon series which predated Submarine by three years and placed the animated mop tops in and out of all kinds of comical situations, ala Hard Day's Night. Author, Mitchell Axelrod has traveled far and wide to provide not only an in-depth look at the making of The Beatles cartoon series, but an inside look at the history of pre-digital animation, when each cartoon frame was sketched and colored by hand and photographed frame-by-frame.
Beatletoons traces the brief but successful history of the series from its inception at the height of "Beatlemania" to its demise with the arrival of the Sgt. Pepper era, when the Beatles new look and new sound became too difficult and controversial to be presented in cartoon form. Using original proposals, letters, and early memos between King Features executives, the book provides a captivating look at the business behind turning the hottest rock and roll group in the world into a marketable Saturday morning cartoon that would appeal to young and old alike.
Author Mitch Axelrod has been an avid Beatle fan since the age of three or four, when the Beatles cartoon series first aired. The series was a huge hit in America and in several other countries, but was never aired in England and was never, until recently, a very big hit with the four Beatles themselves. Perhaps for this reason, Apple Corps, LTD., the Beatles business company, has rarely licensed the cartoon episodes for TV broadcast over the years, with the exception of a brief, but successful run on MTV back in the 1980's. It was around this time that Axelrod began collecting cartoon episodes on video tape and eventually purchased the complete 16mm original film collection of all 76 episodes. From then on, Axelrod devoted himself to becoming a Beatle cartoon afficionado.
When he learned that many of the series animators, writers, and other contributors to the original series were still around and, in many cases, still very much involved in cartoon production, he set off on a mission throughout Europe to track these people down and get their stories. Many, he learned, played major roles in the production of Yellow Submarine, which was recently rereleased, but had even fonder memories of the original TV series. As he shared pints with John Coates, Norman Kaufman, and other unsung heroes of both The Beatles Cartoons and Yellow Submarine, he was treated to first-hand stories about the Beatles' reactions to the series, how animators had to recruit their teenaged children to learn which Beatle played which instrument, etc. And, as the icing on the cake, he even spent a few hours in the offices at Apple, the Beatles business corporation, discussing plans for a future re-release of the cartoon series.
So, Beatletoons is in no way another cheesy cash-in on the Beatles enduring success. The fact that the author shelved it for almost four years while waiting for a publisher who would handle it with the care and dignity he felt it deserved is a tribute to the fact that this book is a labor of love. And the fact that so many of the original participants in the series have lent so much support gives Beatletoons an even greater shot of credibility.
I highly recommend this book to all Beatle fans who think they've seen and read everything that exists about the Beatles. Beatletoons is a quick read that tells the entire story of a lost piece of Beatles history. Be sure to pick one up for the Beatle fans on your list this holiday season!